Residents turned in five guns to police that first day.
—
Kori Rumore,
Chicago Tribune,
23 May 2026
The veil of past and present, for example, takes an abstract turn in Altar I, while Todos los santos (Para subir al Cielo) shows a cemetery with various cross-shaped tombstones, with a ladder leaning on a wall spectrally overlaid on the image.
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